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INFO COVID-19: LIST OF CANCELED SHOWS, VOUCHER, POSTPONEMENT AND DONATION PROCEDURE. MORE INFO
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Locke: Cupid and Death

From Saturday March 26th to Sunday March 27th 2022
2h | Without intermission

Cast

New production

Perrine Devillers
Lieselot De Wilde
Yannis François
Nicholas Merryweather
Lucile Richardot
Antonin Rondepierre
Fiamma Bennett and Soufiane Guerraoui Actors

Josèphe Cottet Violin
Béatrice Linon Violin
Mathilde Vialle Bass viol
Etienne Floutier Violone en G
Lucile Perret Flute
Thibaut Roussel Theorbo
Angélique Mauillon Harp
Arnaud De Pasquale Harpsichord
Sébastien Daucé Orgue, harpsichord

Ensemble Correspondances
Sébastien Daucé Conductor
Jos Houben and Emily Wilson Direction
Oria Puppo Set design and costumes
Katherina Lindekens Dramaturgy
Christophe Schaeffer Lighting

Performance in English with French 

Presentation

English opera had its beginnings with the masque Cupid and Death, premiered in 1653 by Matthew Locke (1621-1677) before the Portuguese ambassador in London, and the only surviving masque musical score. The subject is taken from Aesop: Death and Cupid, staying at the same inn, fall victim to the Chamberlain who during the night exchanges bows, and thus roles, with Cupid killing the young lovers with his arrows, and Death bringing the dying old men back to life - who fall in love! - which causes absolute chaos, and hence a comic imbroglio. Dance, music and theatre were called upon to serve this project for which James Shirley (1596-1666) wrote the text, and Christopher Gibbons (1615-1676) the instrumental interludes.

English masques, ultimately quite like the early French court ballets, include a strong supernatural dimension. The lyrical quality introduced by Locke makes Cupid and Death the precursor of the semi-opera, which developed from 1670 onwards, and of which Purcell (a pupil of Locke's) was the most brilliant composer. Matthew Locke was one of the leading English musicians of the mid-seventeenth century, Composer Ordinary to His Majesty and Organist of the Chapel Royal, writing in 1660 for the coronation of King Charles II.

A connoisseur of this pivotal period of early Baroque, Sébastien Daucé brings together his team of magnificent singers and musicians, and lets Jos Houben and Emily Wilson build a theatre of origins, a veritable mechanism of surprises that serves the droll mystery of this curious joust between Death and Love.

Saturday March 26th share "15 minutes with" at 18h30. Upon presentation of your ticket for that evening and within the limits of available seats.

Photo gallery

Royal Opera

More info

Prices

Catégorie 1

58€ to 70€
Web Carte CVS
58€
Web Tarif moins de 26 ans
58€
Web Tarif Plein
70€

Catégorie 2

42€ to 50€
Web Carte CVS
42€
Web Tarif moins de 26 ans
42€
Web Tarif Plein
50€

Catégorie 3

25€ to 30€
Web Carte CVS
25€
Web Tarif moins de 26 ans
25€
Web Tarif Plein
30€

Prestige

95€ to 110€
Web Carte CVS
95€
Web Tarif moins de 26 ans
95€
Web Tarif Plein
110€

Prestige VIP

130€
Web Tarif Plein
130€

PRESTIGE VIP CATEGORY: Best seats with complimentary glass of champagne and programme.

PRESTIGE CATEGORY: Excellent seats with complimentary glass of champagne and programme.

REDUCED RATE applicable to under 26s, Chateau de Versailles Spectacles card holders, the Cercle of Rameau members and groups of more than 10 people (excluding special company offer).

To ensure the best welcome possible, people with limited mobility are advised to book their seats by telephone at +33 (0)1 30 83 78 89.

In case of any technical problem, the box office service remain available to complete your order by phone at +33 (0)1 30 83 78 89 (Monday-Friday from 11am to 6pm) or in our box office-shop (3 bis rue des Réservoirs, 78000 Versailles ; Monday-Friday from 11am to 6pm, and on Saturdays with concerts or shows except during the Musical Fountains Shows, from 2pm to 5pm).

 

Entrance and placement conditions will be adapted according to the health protocol enforced.
More information

Book

Book

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    Time :

  • 19h00

    Time :

  • 15h00

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